Winterly Drift is the second of a new body of works that use a base-5 cm. matrix of circles. The reasons for this are practical and economic: I have more options to change the composition when I stretch the work and the more economical stretcher bars are produced in 5 cm. increments.

I love the way snow shifts the everyday scenery around us, not just visually, but also conceptually, categorically, and aurally. Snow roams across our sensibilities – while I watch it fall, I like to imagine a tiny neuron assigned to each snowflake; I try to hold as many snowflakes adrift together as I can. It’s a diffuse sense of focus. This is another of the many modes of attention that I am working with.